{"id":12445,"date":"2022-02-26T09:01:11","date_gmt":"2022-02-26T09:01:11","guid":{"rendered":"https:\/\/thepianogallery.co.uk\/videoshop\/?page_id=12445"},"modified":"2022-02-26T09:06:22","modified_gmt":"2022-02-26T09:06:22","slug":"bosendorfer-pianos","status":"publish","type":"page","link":"https:\/\/thepianogallery.co.uk\/videoshop\/piano-brands-makes-and-models\/bosendorfer-pianos\/","title":{"rendered":"Bosendorfer Pianos"},"content":{"rendered":"\t\t
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Bosendorfer<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bosendorfer Pianos <\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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More about Bosendorfer Pianos<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/a>Table of Contents<\/h3>

Models<\/a><\/strong>
Serial Numbers<\/a><\/strong>
History<\/a><\/strong>

<\/p>

<\/a>
Models<\/h2>
Current Bosendorfer Models<\/caption>
Model<\/th>Width (cm)<\/th>Depth (cm)<\/th>Height (cm)<\/th><\/tr><\/thead>
Grand upright 120<\/th>152<\/td>65<\/td>120<\/td><\/tr>
Grand upright 130<\/th>152<\/td>65<\/td>132<\/td><\/tr><\/tbody><\/table>
Current Bosendorfer Grand Piano Models<\/caption>
Model<\/th>Length<\/th>Width (cm)<\/th>Depth (cm)<\/th>Height (cm)<\/th>Yamaha Silent
System SH<\/th>		Yamaha Disklavier
Enspire technology<\/th><\/tr><\/thead>
Grand Piano 155<\/th>5’1″<\/td>155<\/td>155<\/td>102<\/td>Option available<\/td>\u00a0<\/td><\/tr>
Grand Piano 170<\/th>5’7″<\/td>151<\/td>170<\/td>102<\/td>Option avaiable<\/td>\u00a0<\/td><\/tr>
Grand Piano 185<\/th>6’1″<\/td>151<\/td>185<\/td>102<\/td>Option available<\/td>\u00a0<\/td><\/tr>
Grand Piano 200<\/th>6’7″<\/td>151<\/td>200<\/td>102<\/td>Option available<\/td>Option available<\/td><\/tr>
Grand Piano 214<\/th>7′<\/td>151<\/td>214<\/td>102<\/td>Option available<\/td>\u00a0<\/td><\/tr>
Grand Piano 214
(Vienna Concert)<\/th>		7′<\/td>151<\/td>214<\/td>102<\/td>\u00a0<\/td>Option available<\/td><\/tr>
Grand Piano 225<\/th>7’5″<\/td>159<\/td>225<\/td>102<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
Concert Grand Piano 280
(Vienna Concert)<\/th>		9’2″<\/td>157<\/td>280<\/td>102<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
Concert Grand Piano 290
(Imperial)<\/th>		9’6″<\/td>168<\/td>290<\/td>102<\/td>\u00a0<\/td>\u00a0<\/td><\/tr><\/tbody><\/table>

Back to Contents<\/a><\/p>

<\/a>Serial Numbers<\/h2><\/thead>
Serial Number<\/caption>
Date of Manufacture<\/th>Serial Number<\/th><\/tr>
1828 – 1830<\/th>4-200<\/td><\/tr>
1831 – 1840<\/th>201 – 490<\/td><\/tr>
1841 – 1850<\/th>491 – 3000<\/td><\/tr>
1851 – 1860<\/th>3001 – 5000<\/td><\/tr>
1861 – 1870<\/th>5001 – 6400<\/td><\/tr>
1871 – 1880<\/th>6401 – 9300<\/td><\/tr>
1881 – 1890<\/th>9301 – 12200<\/td><\/tr>
1891 – 1900<\/th>12201 – 15640<\/td><\/tr>
1901 – 1910<\/th>15641 – 19640<\/td><\/tr>
1911 – 1920<\/th>19641 – 22530<\/td><\/tr>
1921 – 1930<\/th>22531 – 25350<\/td><\/tr>
1931 – 1940<\/th>25351 – 26290<\/td><\/tr>
1941 – 1950<\/th>26291 – 26960<\/td><\/tr>
1951 – 1960<\/th>26961 – 28017<\/td><\/tr>
1961 – 1970<\/th>28018 – 29109<\/td><\/tr>
1971 – 1980<\/th>29110 – 33444<\/td><\/tr>
1981 – 1990<\/th>33445 – 41062<\/td><\/tr>
1991 – 2000<\/th>41063 – 45150<\/td><\/tr>
2001 – 2008<\/th>45151 – 48625<\/td><\/tr><\/tbody><\/table>

Back to Contents<\/a><\/p>

<\/a>History<\/h2>

Ignaz B\u00f6sendorfer\u00a0(1794 – 1859)<\/h3>

Ignaz is born in 1794 in Vienna as a son of the master carpenter Jakob and his wife Martha B\u00f6sendorfer. At the age of 19, he starts his apprenticeship with\u00a0Joseph Brodmann ( 1763 – 1848 ), one of the most famous piano makers of his time. Young Ignaz seems to be very gifted, and already in 1815, he receives an award by the Viennese Academy of Arts. At the same time in Vienna there are multiple very renowned piano builders like Nanette and Johann Andreas Streicher, Johann Schantz, Anton Walter, Conrad Graf and Michael Schweighofer. Acquiring invaluable knowledge and skill during his apprenticeship Ignaz B\u00f6sendorfer takes over the firm from Joseph Brodmann, who retired at the age of 65 in 1828.<\/p>

25th of July 1828, Vienna<\/h3>

It is in the year of 1828 – the year when Franz Schubert is buried next to Beethoven in Vienna – on the 25th of July, when Ignaz B\u00f6sendorfer is officially granted the right to become a member of the prestigious Austrian instrument manufactures guild in Vienna. This turns out to be the official founding date of what later will become Austria\u2019s only remaining prime piano manufacturer, spreading colourfully brilliant piano notes worldwide. Ignaz B\u00f6sendorfer invests 500 Gulden at the beginning, an investment in prosperity considering the fact that he leaves his son Ludwig a company worth 145.000 Gulden in 1859 when he dies.<\/p>

1838, Vienna:<\/strong> It is very well known that not every piano can withstand the passionate, virtuoso play of the young composer and artist\u00a0Franz Liszt. Recommended by his friends he decides to select a B\u00f6sendorfer Grand for his concert in Vienna. Due to the superb crafting and high quality delivered by B\u00f6sendorfer Liszt does not have to hold back his artistic spirit – to his surprise. The audience is thrilled. B\u00f6sendorfer becomes famous over night and following this concert many more shall follow. A close friendship between Liszt and B\u00f6sendorfer develops.<\/p>

Pianos at this time – the period of “Viennese Biedermeier” – are not perceived as an instrument built for stages but as the instrument of entertainment at home. The Imperial government at this time is rather restrictive and social life takes place behind closed doors. Private salons and gatherings, exclusive events, so to say, are held as homage to local artists and composers, and provide high class amusement. The most prominent example of such are probably the Schubertiades \u2013 named after Franz Schubert. The piano has a major role for these salons. It is not surprising that you will find up to 387 piano makers in Vienna back then, suppliers of music, joy and entertainment. In the founding year of the company in 1828, Ignaz B\u00f6sendorfer handcrafts four pianos and later increases production to a total of 200 instruments by 1835. In 1839, the Emperor of Austria awards Ignaz B\u00f6sendorfer the official title of\u00a0\u201cImperial and Royal Piano Purveyor to the Court\u201d\u00a0\u2013 the first piano craftsman ever granted this honour. Numerous gold medals and first prizes follow.<\/p>

Ignaz B\u00f6sendorfer \u2013 soon becoming close friends with Franz Liszt and\u00a0Anton Rubinstein\u00a0\u2013 is very active in Germany, UK, Italy, Russia, Brazil and Egypt. The increasing demand for his B\u00f6sendorfer Grands leads the artisan to build a new factory. Unfortunately he did not see his project finished. By 1859, Ignaz dies, leaving his manufactory in the skillful hands of his son Ludwig. Ignaz\u2019s death is mourned by all Viennese music lovers.<\/p>

The perfection of a B\u00f6sendorfer exceeds my wildest expectations.
Franz Liszt ( 1811 – 1886 )<\/cite><\/div>

Ludwig B\u00f6sendorfer (1835 – 1919)<\/h3>

Born on April 10th\u00a01835, Ludwig is not only educated by his father but also attends the Imperial Polytechnic Institute in Vienna. His acquired know-how Ludwig later on puts to good use. In 1860, he invents a new action, and in 1862 he receives the first foreign award in London for his “Patent Grand”. In 1867, he participates at the World Exhibition in Paris. The success of his pianos, also due to their breath-taking design, is that remarkable that Austrian Empress Elisabeth, “Sissi”, orders a B\u00f6sendorfer Grand as her personal gift for Empress Eugenie of France. This instrument is designed by Theophil Hansen, a famous architect in Vienna, who built the Musikverein and the Austrian Parliament. The Paris Exhibition increases B\u00f6sendorfer’s fame all over the world, and the export destinations include places like Singapore, Rio, Stockholm and Tokyo.<\/p>

In 1870, B\u00f6sendorfer buys the building at Graf-Starhemberggasse 14 in the Fourth District of Vienna. The office and the showrooms move into the city centre of Vienna, the Palais Liechtenstein in the Herrengasse 6. Ludwig is not only an artisan of the Art of the Piano but also a patron of music and arts. On November 19th, 1872,\u00a0Hans von B\u00fclow, son-in-law of Liszt, inaugurates the B\u00f6sendorfer Hall at Palais Liechtenstein, after Ludwig recognised the remarkable acoustic sound qualities of the former riding stable. During the next 40 years joyful and artistically remarkable piano and chamber music concerts and recitals are held there. Initially organised by Ludwig, around 4.000 concerts take place in the\u00a0B\u00f6sendorfer Hall<\/strong>\u00a0counting artists such as:\u00a0Wilhelm Backhaus,\u00a0Ferruccio Busoni,\u00a0Eugen d’Albert\u00a0premiering in Vienna 1886,\u00a0Wilhelm Kienzl,\u00a0Fritz Kreisler,\u00a0Theodor Leschetizky,\u00a0Franz Liszt,\u00a0Gustav Mahler,\u00a0Sophie Menter,\u00a0Ignaz Paderewski\u00a0(frequently seen on stage of the B\u00f6sendorfer Hall),\u00a0Max Reger,\u00a0Anton Rubinstein,\u00a0Pablo Sarasate,\u00a0Emil von Sauer,\u00a0Artur Schnabel,\u00a0Richard Strauss,\u00a0Ernst von Dohnanyi\u00a0and\u00a0Hugo Wolf. The B\u00f6sendorfer Hall turns out to be a catalyser and focal point of music and art. B\u00f6sendorfer not only supports these concerts by delivering pianos but actively fosters developments in music and art.<\/p><\/div>

\u00a0<\/p>

In 1833, production increases to 288 pianos per annum and B\u00f6sendorfer Grands attract attention not only of the nobility, emperors and the European elite (Empress Elisabeth, Pauline Metternich, Archduchesses Stephanie and Valerie, Katharina Schratt, Archduke Eugen, the Russian Tsar Nikolaus II and the Japanese Tenno) but artists as well.\u00a0Johannes Brahms\u00a0always asks for B\u00f6sendorfer pianos during his summer performances, Johann Strauss buys a B\u00f6sendorfer Grand for his apartment in Vienna in Praterstra\u00dfe and Gustav Mahler is supported by B\u00f6sendorfer during his student years in Vienna.<\/p>

Always curious about implementing the best possible technical advances of his time, Ludwig elaborates with his technical director Franz Berger on the Viennese action and patents various inventions. Around 1900 the Italian composer\u00a0Ferruccio Busoni\u00a0is transcribing the famous organ works of J.S. Bach and requests a particular instrument to be built. Ludwig accepting the challenge designs and crafts the first B\u00f6sendorfer Concert Grand 290, which later shall become known as the Imperial. The tonal range of 8 full octaves allow for the additional needed bass and a particularly orchestral sound experience.\u00a0By innovating and steadily developing Ludwig B\u00f6sendorfer succeeds in capturing the association of creative engineering and quality to his brand name, his family name – a brand that is set to become the synonym for perfection in detail.<\/p>

Although married twice, B\u00f6sendorfer does not have children and so he decides to sell the factory in 1909 to his friend Carl Hutterstrasser. Carl was a banker not a piano maker but a person who knew all about Ludwig\u2019s drive to maintain the high quality of the pianos. On May 9, 1919, Ludwig plays his last chord. Besides his final wish of being laid to rest in a simple fashion, he dedicates most of his remaining private wealth to the Society of the\u00a0Viennese Friends of Music. His grave is marked by his name and dates only, modest, as he was. Later, Ludwig shall receive an honorary grave monument from the City of Vienna.<\/p><\/div>

Carl Hutterstrasser (1863 – 1942)<\/h3>
During the era of Carl Hutterstrasser, political unrest unfolds in Europe. Nevertheless, work at the B\u00f6sendorfer piano factory continues. In 1927, B\u00f6sendorfer wins the “Grand Prix” in Geneva where the company exhibits a B\u00f6sendorfer Concert Grand as well as a Grand Upright.\u00a0In 1931, the sons of Carl Hutterstrasser, Wolfgang and Alexander, become business partners of their father. Contrary to their father, both sons are artisans in the Art of the Piano, very well educated at their father\u2019s manufactory B\u00f6sendorfer and abroad. Both of them are very well connected to Viennese cultural institutions, artists and events, as was Ludwig B\u00f6sendorfer.\u00a0Following the economic crisis, B\u00f6sendorfer\u2019s business affairs decline down to 52 instruments a year in 1933. In 1936, celebrating yet another success and winning the competition of the British Broadcasting Corporation (BBC), production recovers a bit to a level of 144 instruments.<\/div>

Alexander & Wolfgang\u00a0Hutterstrasser<\/h3>
At the age of 80, Carl Hutterstrasser dies in 1942 leaving both of his sons in charge. During the Second World War, the company\u2019s timber yard is hit by air strikes and is heavily damaged. When allied forces occupy Vienna, soldiers use pianos displayed in the B\u00f6sendorfer showroom at the Musikverein for firewood. In 1953, B\u00f6sendorfer is celebrating its 125th\u00a0anniversary. On this occasion the world renowned pianist Wilhelm Backhaus receives the B\u00f6sendorfer Ring, honouring his dedication and contribution to the piano world.<\/div>

Kimball International Inc.\u00a0(1966 – 2001)<\/h3>

After the war production slowly recovers hitting the mark of 100 per annum by 1966 again. It is the beginning of prosperous times in post-war Europe. The Sound of Vienna is being heard again throughout the world, B\u00f6sendorfer pianos shipped to all continents. Alexander and Wolfgang Hutterstrasser, facing the same situation as Ludwig back then, are unable to find a successor within their family. Eventually, they sell B\u00f6sendorfer to the U.S. Corporation Kimball International based in Jasper, Indiana on the 1st\u00a0of July, 1966.<\/p>

In 1978, B\u00f6sendorfer celebrates its\u00a0150th\u00a0anniversary\u00a0with a gala concert by the Vienna Philharmonic Orchestra conducted by\u00a0Horst Stein\u00a0in the Golden Hall of the Musikverein. On this occasion,\u00a0Paul Badura-Skoda\u00a0is awarded the B\u00f6sendorfer Ring and the young German pianist Gerhard Oppitz, who had won the Rubinstein Competition the previous year and the Tel Aviv Competition the same year, is premiering in Vienna.\u00a0 The Viennese pianists\u00a0J\u00f6rg Demus, Alexander Jenner and\u00a0Walter Klien\u00a0play concerts at the Brahms Hall on this very occasion of the anniversary.<\/p><\/div>

Wiener Neustadt (1973)<\/h3>
The American owner preserves the tradition of promoting young aspiring artists. The B\u00f6sendorfer scholarship is offered annually, as well as the support of the International Beethoven Competition with the donating of a B\u00f6sendorfer Grand Piano 200 for the 1st\u00a0prize. Also, the B\u00f6sendorfer Competition for students of the Vienna Music University mdw has now been supported for more than 100 years. Facing\u00a0 increasing demand, B\u00f6sendorfer is moved from Graf Starhemberg Gasse to Wiener Neustadt, a small city close to Vienna, in 1973. The same year, Concert Grand opus 30.000 is leaving the manufactory, selected by the Federal Chancellor Dr. Bruno Kreisky and shipped to Japan.<\/div>

Up to today this instrument counts amongst the biggest grands there are<\/p>

In November 1986, B\u00f6sendorfer presents the first Player Grand – a self playing Imperial 290 – at the Salzburg Festival. Revolutionary depth and accuracy of recording result in unheard authentic reproduction of any tune. The first digital masterpiece back then.<\/p>

Following yet another turn in business operations, Kimball sells B\u00f6sendorfer to the Austrian BAWAG-PSK Group in 2001. The acquisition by the bank brings B\u00f6sendorfer back to Austrian ownership but only for a rather short period of time.<\/p><\/div>

Yamaha & B\u00f6sendorfer (2008 – now)<\/h3>
In 2008, the Japanese enterprise Yamaha acquires B\u00f6sendorfer. Conscious and cautious about the precious heritage B\u00f6sendorfer is carrying, the Austrian manufactory remains fully independent and continues to be operated as a separate Austrian company. Successfully restructured and fortunate to further develop distribution with a partner who is experienced and sophisticated within the music industry B\u00f6sendorfer gains new strength. B\u00f6sendorfer works closely together with Yamaha when it comes down to selling and distributing instruments, however, all B\u00f6sendorfer Grands are manufactured in Wiener Neustadt, exclusively. B\u00f6sendorfer focuses on the premium manufacturing of close to 300 instruments per year, which are handcrafted close to Vienna, from where it all started.<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bosendorfer Pianos For Sale and Sold at The Piano Gallery<\/h2><\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
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\"4482-bosendorfer-1\"\/<\/span>
<\/div><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<\/i>Add to Favourite Pianos<\/span>Added<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/span>00:00:54<\/span>\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\t\t\r\n\t\t
\r\n\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t

\r\n\t\t\t\tBosendorfer 170 c.1928<\/a> \r\n\t\t\t<\/h3>\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\r\n\t\t<\/div>\r\n\t\t\r\n\t<\/div>\r\n<\/article>
\r\n\t
\r\n\t\r\n\t\t
\r\n\t\t\t\t\t\t\t\t
\"c988-bosendorfer-3\"\/<\/span>
<\/div><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<\/i>Add to Favourite Pianos<\/span>Added<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/span><\/span>\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\t\t\r\n\t\t
\r\n\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t

\r\n\t\t\t\tBosendorfer model 155<\/a> \r\n\t\t\t<\/h3>\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\r\n\t\t<\/div>\r\n\t\t\r\n\t<\/div>\r\n<\/article>
\r\n\t
\r\n\t\r\n\t\t
\r\n\t\t\t\t\t\t\t\t
\"4204-Bosendorfer-model-200-c.1929\"\/<\/span>
<\/div><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<\/i>Add to Favourite Pianos<\/span>Added<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/span>00:05:04<\/span>\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\t\t\r\n\t\t
\r\n\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t

\r\n\t\t\t\tBosendorfer model 200 c.1929<\/a> \r\n\t\t\t<\/h3>\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\r\n\t\t<\/div>\r\n\t\t\r\n\t<\/div>\r\n<\/article>
\r\n\t
\r\n\t\r\n\t\t
\r\n\t\t\t\t\t\t\t\t
\"Bosendorfer-170-4\"\/<\/span>
<\/div><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<\/i>Add to Favourite Pianos<\/span>Added<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/span><\/span>\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\t\t\r\n\t\t
\r\n\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t

\r\n\t\t\t\tBosendorfer 170<\/a> \r\n\t\t\t<\/h3>\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\r\n\t\t<\/div>\r\n\t\t\r\n\t<\/div>\r\n<\/article>
\r\n\t
\r\n\t\r\n\t\t
\r\n\t\t\t\t\t\t\t\t
\"81BD6802-33E2-4307-A75F-E549FF76E762\"\/<\/span>
<\/div><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<\/i>Add to Favourite Pianos<\/span>Added<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/span><\/span>\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\t\t\r\n\t\t
\r\n\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t

\r\n\t\t\t\tBosendorfer 170<\/a> \r\n\t\t\t<\/h3>\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\r\n\t\t<\/div>\r\n\t\t\r\n\t<\/div>\r\n<\/article> \t\t\t\t\t\t\t\t\t\t\t<\/div>\t\r\n\t\t\t\t\t\t\t\t<\/div>\r\n \t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n \t \t
\r\n\t\t\t\t\t\t\t\t
\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n <\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n \t\t\t\t\t\r\n\t\t\t\t\t\t<\/div> \r\n\t\t\t\t\t\t\t\t\t